In a display of modesty, they classified “One Note Samba” as a sambinha, or little samba. The self-effacing lyrics juxtapose the grandiose style of Barosso, but rather than provoke Barosso, Jobim and Mendonça hoped to win him over. In the opening line of “One Note Samba,” Mendonça’s lyrics read, “ Eis aqui este sambinha/ Feito numa nota só” (This is a little samba/ Composed of only one note). The pair could not refrain from poking fun at Ary Barosso, who had previously criticized bossa nova music.īarosso “vigorously defended the sanctity of the samba” and “was perhaps the only Brazilian composer from the old guard who never flirted with foreign rhythms.” Barosso pioneered the style known as “exaltation samba,” which praised Brazilian national identity and the esthetic grandeur of the country. ![]() ![]() Like many of Jobim and Mendonça’s compositions, “One Note Samba” was penned in Mendonça’s apartment in Brazil.Ībsent from the songwriting process were the fun and games surrounding the creation of their previous composition, “Desafinado,” but Jobim and Mendonça certainly kept their sense of humor. Though the composition debuted in 1959, it did not gain traction in the musical community until its inclusion on the Grammy-winning compilation, Jazz Samba, in 1963. Tune in to First Take with Chavis and Lando – weekdays from 6-9 am MT – for Stories of Standards to hear our favorite versions of this song all week long! ![]() The Brazilian songwriting team of composer Antonio Carlos Jobim and lyricist Newton Mendonça collaborated to produce “One Note Samba,” finishing the piece as 1959 drew to a close.
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